Production Details: 000980_MIX_david_oxenbridge_interference.wav

The following production metadata is provided to you under a Creative Commons Attribution-NonCommercial 4.0 International License. You can see how this metadata is displayed publicly on the production's public page. An explanation of each field is available here

irn3762
master_filename000980_MIX_david_oxenbridge_interference.wav
master_md549CB337BEF080A3D5287DC7CDFE2C926
master_duration31:14
master_sample_rate44.1 kHz
master_bit_depth16 bit
master_channels1
media_reference000980
media_sourcePrideNZ.com
copyright_positionIn copyright
copyright_ownershipGareth Watkins (PrideNZ.com)
copyright_ownership_note
submitted_to_nlnz25-01-2024
public_urlhttps://www.pridenz.com/interference_david_oxenbridge.html
meta_urlhttps://www.pridenz.com/data/media/meta/3762.html
plain_text_urlhttps://www.pridenz.com/plaintext/interference_david_oxenbridge.txt
production_date04-01-2024
production_day04
production_month01
production_year2024
recording_typeInterview
series
sub_series
titleDavid Oxenbridge on Interference
descriptionDavid Oxenbridge is the associate producer and social impact producer of a new feature documentary in development with the working title of Interference. The documentary focuses on homosexual law reform in the mid-1980s. The producer is Marilyn McFadyen, and the director is Welby Ings.
summary_computer_generatedInterference, a feature documentary currently under development, delves into the tumultuous period of homosexual law reform in New Zealand during the mid-1980s. This interview offers insight into the creation and intent of this powerful film. The title "Interference" aptly encapsulates the documentary's dual focus. Firstly, it highlights the activists' ingenious strategies to infiltrate anti-bill events, sometimes disguising themselves to gain access and insight. Secondly, it brings to light the lesser-known interference from the American religious right, which played a significant role in shaping the campaign's discourse and outcomes. This foreign influence mirrors current issues of international interference in LGBTQ+ rights. Oxenbridge's journey to the project began in the early 2000s. Their role in the documentary involves extensive research, engaging with activists, and ensuring that the film's social impact extends beyond the screen into community engagement and education. This involves creating actionable steps to move hearts and minds, especially among younger generations. The documentary's approach is not just a recounting of political events but a deep dive into the personal experiences and societal impact of the law reform. It aims to capture the essence of the era, reflecting on how these events shaped New Zealand's social and political landscape. The film targets a broad audience, from the queer community to mainstream New Zealanders, emphasizing the relevance of these historical events to contemporary issues and struggles. Producing a documentary of this scale in New Zealand poses significant challenges, particularly in securing funding and archival material. Despite these obstacles, the team is determined to tell this story with the richness and depth it deserves. The documentary seeks to be more than just a historical account; it aims to resonate with today's audiences, drawing parallels between past and present struggles for LGBTQ+ rights. By weaving together political, social, and personal narratives, "Interference" aspires to be a visually stunning, emotionally impactful film that educates, inspires, and fosters a deeper understanding of a pivotal moment in New Zealand's history.
interviewerGareth Watkins
voicesDavid Oxenbridge
tagsHomosexual Law Reform; gay; lesbian; trans; transgender; 1970s; 1980s; 2020s; activism; archival footage; archives; audience; crowd funding; crowd sourcing; far-right politics; film; film making; funding; gender diversity; gender identity; generative artificial intelligence; HIV / AIDS; homosexual law reform; humour; Member of Parliament; nun; passion; politics; queer theory; research; rest homes; social impact; social media; transmedia; video; Parliament grounds; Salvation Army Citadel; Africa; Aotearoa New Zealand; United States of America; Wellington; Lesbian and Gay Archives of New Zealand (LAGANZ); Moral Majority; National Library of New Zealand; New Zealand Film Commission; Salvation Army; TVNZ (Television New Zealand); Human Rights Act (1993); Interference (documentary); Marriage Amendment Act (2012); Salient (magazine); Alison Laurie; Andrew Whiteside; David Hindley; David Oxenbridge; Marilyn McFadyen; Tighe Instone; Welby Ings
tags_computer_generatedsexuality; education; media; television; suicide; history; homophobia; human rights; beats; coming out; 2000s; Dorian Society; law; relationships; support; library; writing; social; marriage; friends; documentary; community; Coming Up; creativity; queer; homosexual; Singapore; storytelling; marketing; gender; passing; rainbow; economics; safety; hope; university; running; advice; protest; power; meetings; mainstream; race; activities; other; army; distribution; actions; conversation; connect; fundraising; legs; costumes; work; partnership; environment; spectrum; Job; tactics; strategy; petition; Space; treaty; tough; People; Events; access; board; journey; time; David; window; camera; movement; period; feature film
location_nameParliament grounds
location1 Molesworth Street
broader_locationWellington
location_lat-41.277875695175055
location_long174.77730073733258
precise_localitytrue